Relying on an article publishing May/June 1999 in Fine Woodworking written by Mike Dunbar I purchased milk paint from The Old Fashioned Milk Paint Co. and used it to apply two coats to a pine pie safe I had built. Afterward, following Mr. Dunbar’s suggestion, I covered this with a careful mixture of 5 parts boiled linseed oil and 1 part mineral spirits.
I tested this on a small scrap and observed that it did darken the paint as expected, but saw no problem. It was stated in the article that “overlaps and thin areas in the paint will stand out for several minutes, but they slowly blend to a uniform color”. Trusting that the thinning I observed was normal I proceeded to coat the remainder of the piece. However, after the oil dried I found that the grain in the wood had become visible.
I contacted the manufacturer and was told that perhaps the mineral spirits might be the cause and that so far as they knew there was no solution but to buy their bonding agent and to apply another coat of milk paint. I not only am disappointed with the result , but I am not eager to go to the additional expense and labor, perhaps with the same result even if I apply tung oil only on the next coat as the folks at Old Fashioned Milk Paint Co. suggest. Have you experienced this problem or have you any thoughts?
Thank you,
Michael Kite
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Replies
Michael,
Milk paint is an interesting finish, sorry to hear about your dilemma.
It's possible the film of paint was a bit too thin and that is why the grain is showing. It's hard to say without seeing it.
I remember the article you spoke of. If I'm not mistaken, Mr. Dunbar wrote another a while later saying he no longer used an oil over the milk paint.
When I have done milk paint finishes, the last thing I liked to do was to rub it down with a gray scotch pad for example, to burnish the surface. It rubs down very nicely to a soft glow. I must admit I've never oiled a surface.
It sounds like you'll need to bite the bullet and do it over. The linseed oil is the intangible here. You'll need to ask the paint company if the bonding agent will, in fact, lock it in. If not, I would apply a thin coat of shellac, in this case SealCoat (blonde shellac) to isolate the oil and then put the bonding agent over it.
Personally I would recommend you don't add another oil after it's done. If you were to do it though make a large sample first. You may find you need to add another coat of paint or maybe your mix was too thin etc.
This is an unfortunate part of the finishing learning curve.
Good luck and keep me posted.
Peter
Peter,Thank you for your response. I am intending to take your advice and not use oil after repainting. For what it is worth, however, I had consulted the folks at Old Fashioned Milk Paint about this problem as well. They said that they recommended Tung Oil as a finish coat, if anything, but also questioned the need for using paint thinner and pretty strongly implied that they wouldn't use it.While I had tested a small area, I was hasty about completing the job and now it has taken much longer to complete. I wonder if I will ever learn.Thanks again,
Michael Kite
Michael,
"Will I ever learn?"
You already have.
I've used milk paint as a base and then various color washes over it to simulate dirt and grime but I have never used an oil, tung or otherwise. I really don't see the need for it.
If you want to further darken the surface consider a colored wax judicially applied. Obviously the wax will contain some solvent that is an oil but it won't be as bad as adding a very wet coating as before.
You could also consider glazing it with a water soluble glaze. You can find water glaze base in any good paint shop. To this uncolored base you can add small amounts of artist acrylics or latex paints to make color washes. This is where you can get very creative. Water based glazes dry very quickly so keep that in mind. Be sure and read the directions on the can.
Many of the finishing books out there describe the glazing process. The key is to use a light touch and the right product for the job.
Have fun
Peter
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