I am building a hammered dulcimer for a friend.
My question is—–Would curley maple be a suitable material for the soundboard?
Work safely ¬¬¬¬¬¬¬¬PAT¬¬¬¬¬¬¬
I am building a hammered dulcimer for a friend.
My question is—–Would curley maple be a suitable material for the soundboard?
Work safely ¬¬¬¬¬¬¬¬PAT¬¬¬¬¬¬¬
Get It All!
UNLIMITED Membership is like taking a master class in woodworking for less than $10 a month.
Start Your Free TrialGet instant access to over 100 digital plans available only to UNLIMITED members. Start your 14-day FREE trial - and get building!
Become an UNLIMITED member and get it all: searchable online archive of every issue, how-to videos, Complete Illustrated Guide to Woodworking digital series, print magazine, e-newsletter, and more.
Get complete site access to video workshops, digital plans library, online archive, and more, plus the print magazine.
Already a member? Log in
Replies
<aimless guess mode ON>
I suppose it depends on the sound you want. Spruce is used as the soundboard in a number of other other instruments, so assuming the maple is harder grained, it would would probably produce a bit harsher, more metalic sound.
<aimless guess mode OFF>
Green Gables: A Contemplative Companion to Fujino Township
Wouldn't recommend it. Too heavy and not structurally the best owing to the curl. People do use some fairly odd stuff, but I would go with mahogany, spruce or cedar. Soundboard wood needs to be light and stiff. Only 1/4 inch thick or less for mahogany, a bit thicker for spruce or cedar. Note that you want spanish cedar, not the aromatic kind. Music makers kits sells an all-spruce plywood which is light, strong and saves the effort of jointing several pieces. Spruce might have a slight edge as far as sound quality, but it dents very easily. They also have reasonable plans, strings and other parts.
Pat, I make fretted dulcimers, as opposed to the hammered kind...but I don't use maple anywhere in the construction and certainly wouldn't consider it for a soundboard. It's heavier than necessary and I suspect it would have a dampening effect. It's used in making the bodies of fiddles and sometimes guitars...it shapes well and its special figures are very attractive...but sound-wise, I think cherry would be a better choice. It's about 20% less dense than hard maple and it's a slightly more brittle wood.
The woods I use most for soundboards are spruce, yellow-cedar ( AKA; Alaska-cedar), western redcedar...and among the hardwoods, my favorite is sassafras. I'll use other woods for appearance sake, if I want the instrument to have a single species look...but the above woods seem to provide a little better functional (tonal) properties. You constantly face the "look good or sound good" choice in instrument making.
Thanks to everyone who responded so promptly to my request. I probably will use edge grain mahogany for the sound board. I have constructed the stiffening parts from hard maple,since it was the wood of choice from several sources on the web.
My friend plays the instrument,and his priority is the clarity of sound.Since I no longer hear too well,mine may be in the appearence of the instrument Again,thank you all for the replies.
Work safely ¬¬¬¬¬¬¬PAT¬¬¬¬¬¬¬
Pat, in case you haven't, check out the musical instrument maker's Forum, http://www.MIMF.com. Great site for instrument builders. You can post a question there, just like here, and just liekhere, you'll get clear if entertainingly diverse opinions.
CharlieI tell you, we are here to fart around, and don't let anybody tell you different. --K Vonnegut
This forum post is now archived. Commenting has been disabled