https://youtube.com/watch?v=OqwGg-TD3yY%3Frel%3D0
**Note: For some reason the “allow full screen code” keeps getting stripped off the embed. If you’d like to watch larger click on the YouTube logo in the bottom right of the video.
Last weekend I asked Fine Woodworking’s Instagram followers what designer or maker they’d like me to feature on the feed this weekend. A fairly overwhelming response came back wanting to see work from Jere Osgood. Being new to Fine Woodworking I had yet to come across his work. Watching this Masters of the Craft video, I now see why he was requested.
Not only are Mr. Osgood’s designs sublime, but he also could be considered one of the forefathers of modern studio furniture. Designers like Michael Hurwitz and Garrett Hack are often considered today’s icons, but their lineage can be traced directly back to Osgood.
As always, Jon Binzen’s orginal post for this slides how says it more elegantly than I ever could. In 2012, he wrote:
“Jere Osgood is one of the best craftsmen alive today. And also one of the humblest. He’s been a pathbreaker as a furniture designer, but also as a technical innovator. On top of all that, as a teacher he helped nurture a generation of superb furniture makers.”
Osgood’s articles were integral to Fine Woodworking’s early success. Jon described “Tapered Laminations” from issue #14 as revolutionary. I’ll be making that amazing article available free for a couple of weeks so a whole new generation can have access to the incredible technique that Osgood brought to the world.
Select Jere Osgood Articles:
Tapered Lamination – Slender curves have necessary bulk for joinery – Free till 5/20/16
Masters of the Craft: Jere Osgood – Modesty and Mastery
The Best Woodworker You’ve Never Heard Of – A profile of Jere Osgood 
Comments
Great choice!!
FR
I am so pleased you are bringing Jere to the forefront. As a student at Rochester Institute of Technology (RIT) in the early 1970s, I frequently passed by the woodshop for the School of (or for) American Craftsman. I was impressed by the unusual furniture pieces the students were producing. Then at a subsequent showing of work, I saw where their influence must have come from. Jere's contorted tall chest of drawers made of curly maple was on display at the Bevier Gallery. I believe he made that piece well before the other students made theirs -- probably years earlier. It was the most outstanding piece of furniture I've ever seen up to that time. I had several years of woodworking under my belt by then, but I could not comprehend how Jere executed such precision in designing and producing this piece. It was beyond my understanding of how he created all that complex joinery. That was mighty fine work Jere!
Truly fantastic work, and commentary on Tage! Thanks so much for posting this and bringing Jere back to the front of my design mind. Much appreciated.
Truly fantastic work, and commentary on Tage! Thanks so much for posting this and bringing Jere back to the front of my design mind. Much appreciated.
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