A family strives to continue the work of a premiere American woodworker
Synopsis: George Nakashima clearly loved trees. A walk through his estate proves that. His legacy and business survive him, and his family carries on the work he began. His daughter, Mira, is an accomplished architect in her own right and worked by her father’s side for decades. The family still uses George’s designs, but commissions are declining; a third generation stands ready, waiting for demand to increase. A short biography details George Nakashima’s accomplishments.
Trees were George Nakashima’s life. He hiked through them, climbed them, sojourned among them. He also made his livelihood from them while he rose to prominence as a craft woodworker after World War II.
Nakashima planted trees, lots of nonnative species chosen for beauty and companionship rather than utility. On the right as you pull into the driveway of his New Hope, Penn., estate is a Japanese cedar, or cryptomeria, a tree often used for columns in Buddhist temples and shrines. A little farther along is a Chinese chestnut. Down the hill by the pool are several dawn redwoods, leafy conifers native to China. Apple and cherry trees dot the property. And between the design studio and the office are two of the most beautiful Japanese maples I’ve ever seen. George Nakashima clearly loved trees.
Nakashima died in 1990 at the age of 85 (see the box on p. 95 for a brief biographical portrait), but his legacy and his business live on. His widow, Marion, and son, Kevin, take care of the finances. Daughter Mira runs the business on a day-to-day basis and, perhaps most important, is responsible for the firm’s design work. Business, though, has slowed considerably. Although the Nakashima workshops still design and build furniture, craftsmen and family alike are finding commissions harder to come by than they…