Subscribe now and save up to 56%
This was my first dining table project and was, by far, the biggest I have done to date. I designed and built this table myself drawing inspriation from the Arts & Crafts movement and, specifically, furniture designs by Stickley, Mackintosh and Greene & Greene.
This trestle table features a floating top which can open to accomodate two leaves. The leaves are stored under the table top in a wooden, structured sling to prevent warping. The table is designed to come apart in 6 sections (not counting the leaves) to make moving easier (end piece x2, side rails x2, trestle rail & top). The trestle rail is held in place using a recessed metal screw that pins the trestle’s tenon end. The top side rails and thus the whole table is held together using hook screws and crown bolts. I tried several different techniques including the use of knock-down hardware but found that only the combination of the hook screws and the crown bolts provided enough tension to stop the table from wiggling.
The entire project was constructed using quartersawn white oak and accented with Madagasgar ebony. All of the inlays were made by scratch and were approximately 1/16″ – 1/8″ in thickness. The top features breadboard ends which have ebony inlays on the side – a feature seen, to a much larger degree in Greene & Greene designs.
The legs measure 4 3/4″ square and were constructed by gluing up several boards and then covering the joint with a homemade veneer. I tried to implement the Stickley method of making legs to show grain on all four sides but I encountered significant difficulties with the technique. I was also worried about the strenght of my joints as the Stickley technique causes there to be a hollow center.
The base ends feature mortise and through tenons for the top and bottom rails. The joints were glued and pinned with dowels. I found it very difficult to create and then subsequently drive in square ebony pegs so the ebony pegs on the side are only for show (and to cover the pins).
The trivet-like pattern in the center was made using half lap joints for the inner two stiles. The rails were attached to the outter stiles using dowels. In order to give a consistent look when viewing this pattern from the outside and inside, I used a veneer to cover the half-lap joints. I originally tried to install this mortise and tenon joints but found alignment of the piece to be less than square. I was able to fix the problem by cutting the entire assembled piece on the table saw, making the ends square and then using dowels to attach to the botton and top rails. This technique was definitely much easier to do and is something I will continue using in the future.
The table is stabilized with a breadboard end. I was quite pleased at how well it has prevented the top from racking or cupping – not to mention that it was pretty easy to do. I highly recommend it!
The table top with the two leaves installed. The top features an ebony inlay with the intention of framing the swirlying grain pattern in the center. The corners feature a square ebony peg to continue the table design's theme.Note that the grain pattern is continuous across the entire top. This was by design so as to preserve the flow of the grain. The grain was just so beautiful I didn't want to interrupt it.
Side view of the table without the leaves installed.
Closeup of the table base's side prior to finishing.
Close up of the table top's corner demonstrating the inlay and the breadboard end.
Get woodworking tips, expert advice and special offers in your inbox
Become a member today
Get instant access to all FineWoodworking.com content.
Subscribe to Fine Woodworking
Save up to 56%
Great table! Are you planning chairs?
What type of finish did you use?
Love every bit of it, I'm envious.
Go on a lumber run with Matt Kenney and he'll show you how he reads a stack of lumber to help him find the perfect board
The Shakers had this diminutive design pegged
When you get the hang of it, your skew will leave a surface so nice and slick that 600-grit sandpaper would mess it up
Nailer lets you lose the compressor
When crosscutting with the miter gauge, you have to turn off the saw and let the blade come to a full stop in order to accurately align it with a…
When five furniture makers with distinct styles of their own get the same assignment, the result is a lesson in design. We asked Fine Woodworking’s contributing editors to make a…
Become a member today and get instant access to all FineWoodworking.com content!
Plus tips, advice, and special offers from Fine Woodworking.
Our biweekly podcast allows editors, authors, and special guests to answer your woodworking questions and connect with the online woodworking community.
Enter now for your chance to win a Lee Valley block plane valued at $160.
© 2016 The Taunton Press, Inc. All rights reserved.
Become a member and get instant access to thousands of videos, how-tos, tool reviews, and design features.
Start your subscription today and save up to 56%