-
3 Steps to Great Glue-Ups: Sliding Dovetail Joints -
Tablesaw Tapering Jig is Safer and Faster -
Upgrade Your Jointer with a Segmented Cutterhead -
Five Minute Guide: How to Use a Tablesaw -
Dedicated Sled Delivers Perfect Finger Joints -
Five Minute Guide: Glue-Ups -
T-Track is a Smart Workbench Accessory -
Router Jig for Perfectly Aligned Dadoes -
How to Drill Windsor Chair Mortises -
Best Tabletop Finish -
Fixing Woodworking Mistakes -
How to Sharpen a Card Scraper -
How to Cut Sliding Dovetail Joints -
How to Make a Simple Jig for Offset Knife Hinges -
Buying and Using Trim Routers -
How to Apply an Aerosol Finish -
Box Making Tips and Tricks
Jere Osgood: Modesty and Mastery
comments (9) February 9th, 2012 in blogs
Jere Osgood is one of the best craftsmen alive today. And also one of the humblest. He's been a pathbreaker as a furniture designer, but also as a technical innovator. On top of all that, as a teacher he helped nurture a generation of superb furnituremakers. In this slideshow, he talks about a range of his pieces as well as about his experiences as a student and a teacher.
WORKING WITH CURVES

Straightforward Joinery for Curved Work Jeff Miller demonstrates three basic techniques that are the bridge to more beautiful furniture.
After studying architecture for several years in college, Osgood decided he would rather make furniture than design buildings. In 1959 he enrolled in the woodworking program at the School for American Craftsmen at Rochester Institute of Technology. There he studied under Tage Frid, the charismatic Danish furnituremaker who would go on to become the most important early contributor to Fine Woodworking. Osgood, reserved and modest but enormously productive and inventive as a furnituremaker even then, had a rocky relationship with Frid, who was his opposite in temperament, gregarious and needling, and who chided Osgood for inventing joinery as he went along.
Osgood set up shop in the early 1960s and by the end of the decade he had begun the experiments with tapered bent lamination and bent stave lamination that enabled him to make the tapered curved legs and curved cabinet carcases that became hallmarks of his style.
Osgood's career as a teacher began with weekly classes at the Craft Student's League in New York City. He then taught for one year at the Philadelphia College of Art, for three at his alma mater, Rochester Institute of Technology, and for ten years at the storied Program in Artisanry at Boston University. For the past 25 years he has been giving occasional lectures and workshops but mainly just working away in the shop attached to his house in rural New Hampshire.
More Masters of the Craft Slideshows
• Ulrika Scriba's Marquetry: Risk and Reward
• Adrian McCurdy: Furniture Riven from the Log
• Geoffrey Warner: Assembling a Life
• Peter Shepard Turns the Page
• Curve It Like König
• Partners in Craft: Harold Wood and John O'Brien
• Tool Chest with an Arts & Crafts Legacy
• Adrian Potter: Thinking Furniture
• Hank Gilpin: Exploring the American Forest
• Doug Mooberry: Kinloch Woodworking
• Michael Hurwitz: Planks into Poetry
• Brad Smith: Story of a Stool
• Hank Holzer and Judith Ames: Labor of Love
• Michael Fortune: The Clever Chair
• John Cameron: A Musician in the Woodshop
• Allan Breed: The Past Recaptured
• Kintaro Yazawa: Joint Wizardry
• Grant Vaughan: Subtropical Virtuoso
• William R. Robertson: Micro Maestro
posted in: blogs, pro portfolio, curves, curved furniture, jere osgood, RIT
Become a Better Woodworker
ABOUT MASTERS OF THE CRAFT
Follow Fine Woodworking senior editor Jon Binzen as he travels North America in search of the best woodworkers on the continent.
















Comments (9)
Posted: 9:20 am on January 1st
Posted: 1:10 pm on October 14th
Posted: 8:47 pm on March 24th
Posted: 9:05 am on March 22nd
Posted: 11:31 am on March 4th
Thanks Jese... L.K.
Posted: 9:44 pm on March 3rd
Posted: 8:12 pm on March 3rd
Posted: 9:53 pm on February 25th
Posted: 3:13 pm on February 9th
You must be logged in to post comments. Log in.