Drawbore Your Mortise-and-Tenon Joinery
Capture More Dust from Your Router Table
Customize Your Router for Centered Mortises
How to Sharpen Hollow Chisel Mortising Bits
How to Sharpen a Spokeshave
Speed Up Handplane Honing with Your Ruler
The Essential Tool Chest
Simple Tape Trick for Tight Fitting Through-Mortises
Simple Cabinetry with Pocket Hole Joinery
The Coolest Cutting Board Ever?
A Woodworker's Guide to Grain Direction
Hinge Mortises on the Tablesaw
Workbench Tool Storage Solutions
Smoothing Plane Tips and Techniques
Finishing Technique for Greene and Greene Furniture
Jere Osgood: Modesty and Masterycomments (9) February 9th, 2012 in blogs
Jere Osgood is one of the best craftsmen alive today. And also one of the humblest. He's been a pathbreaker as a furniture designer, but also as a technical innovator. On top of all that, as a teacher he helped nurture a generation of superb furnituremakers. In this slideshow, he talks about a range of his pieces as well as about his experiences as a student and a teacher.
WORKING WITH CURVES
Straightforward Joinery for Curved Work Jeff Miller demonstrates three basic techniques that are the bridge to more beautiful furniture.
After studying architecture for several years in college, Osgood decided he would rather make furniture than design buildings. In 1959 he enrolled in the woodworking program at the School for American Craftsmen at Rochester Institute of Technology. There he studied under Tage Frid, the charismatic Danish furnituremaker who would go on to become the most important early contributor to Fine Woodworking. Osgood, reserved and modest but enormously productive and inventive as a furnituremaker even then, had a rocky relationship with Frid, who was his opposite in temperament, gregarious and needling, and who chided Osgood for inventing joinery as he went along.
Osgood set up shop in the early 1960s and by the end of the decade he had begun the experiments with tapered bent lamination and bent stave lamination that enabled him to make the tapered curved legs and curved cabinet carcases that became hallmarks of his style.
Osgood's career as a teacher began with weekly classes at the Craft Student's League in New York City. He then taught for one year at the Philadelphia College of Art, for three at his alma mater, Rochester Institute of Technology, and for ten years at the storied Program in Artisanry at Boston University. For the past 25 years he has been giving occasional lectures and workshops but mainly just working away in the shop attached to his house in rural New Hampshire.
More Masters of the Craft Slideshows
• Ulrika Scriba's Marquetry: Risk and Reward
• Adrian McCurdy: Furniture Riven from the Log
• Geoffrey Warner: Assembling a Life
• Peter Shepard Turns the Page
• Curve It Like König
• Partners in Craft: Harold Wood and John O'Brien
• Tool Chest with an Arts & Crafts Legacy
• Adrian Potter: Thinking Furniture
• Hank Gilpin: Exploring the American Forest
• Doug Mooberry: Kinloch Woodworking
• Michael Hurwitz: Planks into Poetry
• Brad Smith: Story of a Stool
• Hank Holzer and Judith Ames: Labor of Love
• Michael Fortune: The Clever Chair
• John Cameron: A Musician in the Woodshop
• Allan Breed: The Past Recaptured
• Kintaro Yazawa: Joint Wizardry
• Grant Vaughan: Subtropical Virtuoso
• William R. Robertson: Micro Maestro
posted in: blogs, pro portfolio, curves, curved furniture, jere osgood, RIT
Save up to 51% on Fine Woodworking
Become a Better Woodworker
ABOUT MASTERS OF THE CRAFT
Follow Fine Woodworking senior editor Jon Binzen as he travels North America in search of the best woodworkers on the continent.