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How to Set Wood Sap
comments (23) October 14th, 2011 in blogs
A few months ago I fell upon a heck of a good deal on some locally-milled white pine I wanted to use in the construction of a simple Shaker writing table. A fellow Taunton Press staffer had taken down a massive tree on his property and had it kiln-dried by a local outfit, which subsequently sold the material off to us at a great price.
You Get What You Pay For
Trouble was, some of the wood may not have reached the critical temperature necessary to set the sap while in the kiln. The lumber had been air dried and subsequently heated in a kiln, but something was wrong. After only about a week in the FWW workshop, about 60% of the wood I'd paid about $100 for began to weep sap like nobody's business. I needed a game plan, and fast. Luckily, the wide boards for my tabletop and front/rear aprons were largely heart wood and thus, totally sap-free. The rough boards I planned on using for the legs, drawers and short aprons, however, had enough sapwood in them to render them almost unusable.
My Kitchen Provides the Perfect Solution
Here's how I got around the sap problem: I began by scrubbing off as much of the sticky stuff as possible using rags and mineral spirits. Then, I cut off as much of the sappy edge grain as possible at the bandsaw and rough-cut my smaller components to size. From there, it was just a matter of baking the wood until the sugary sap crystalized and then hardened. I baked the pine at 160-degrees for a little over an hour--keeping a close eye on the oven for safety reasons. I found that the high temperature actually did two things: 1) it drove most of the sap up to the surface, where I could easily remove it with hand tools, and 2) it hardened any sap left behind in the wood, thus preventing possible "weeping" through my final finish in the future. In the photo at left, you can clearly see how the sap migrated to the surface, particularly via the end grain.
With the sap now dried and hardened, I worked the boards with a handplane to get rid of all the sap that had migrated to the surface while in the oven. Hardened sap will dull your planer and jointer knives super-fast, and it's easier to re-sharpen a plane iron than a set of jointer knives.
With the boards now sap-free, I was able to mill them to thickness as usual, using my jointer and planer without any trouble. I came away with smooth, clear boards and my shop machinery wasn't any worse for wear! As for the table, I've now got the legs nicely tapered and mortised, and today I'll head back into the shop to mill all my aprons to final size and cut the tenons. I'll be sure to post the piece in FWW's online gallery once it's all assembled.
Final Product
After baking, handplaning, and surfacing my pine components, here's what I'm left with; beautiful, clear boards just perfect for my table's aprons. Sometimes life gives you lemons, and when that happens in the woodworking shop (and you've got a limited budget to work with), you've got to engage in some creative problem solving. If anyone else out there has more tips on this subject, I'd love to get the word out in the comments section at the bottom of this post. Happy building!

posted in: blogs, how to, pine, milling lumber, kiln dry, sap
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Comments (23)
Posted: 8:12 pm on November 28th
I build furniture now (tkellyfurniture.com) but for 12 years prior I ran kilns that dried east. white pine. The theory is that at 160 the turpins (think turpentine) are driven off, leaving the crystal amber behind, the sap in effect loses it;s vehicle. Some people think that if you heat it to say 140, then the temp. has to exceed 140 for the pitch to bleed. This is not the case. At 160 or above the turpins become volatile and will be driven off. I wonder if you cooked the pine long enough. I used to dry it at 160 for 12 to 16 hours. Another consideration is that you simply can;t heat the wood without some way to control the humidity, as you will create drying stresses in the wood (warping, cupping). Many kiln operators do not set the pitch because of this reason. Also, the grade will play a factor as clear wood has more sap than lower grades. Like everything in life there is a trade off.
Posted: 7:54 am on November 6th
Posted: 3:38 am on October 28th
Posted: 9:46 pm on October 25th
Posted: 8:25 am on October 25th
Posted: 9:07 pm on October 24th
You can also add a portable space heater and fan inside to move the air. If you really want to speed up the drying time, add a portable dehumidifier and put a tube in the bottom of the pan to send the water outside the unit.
Posted: 1:58 pm on October 21st
Best,
Ed
Posted: 8:12 am on October 20th
Posted: 7:23 am on October 20th
Best,
Ed
Posted: 8:39 am on October 17th
Best,
Ed
Posted: 8:38 am on October 17th
Posted: 8:37 am on October 17th
I had spoken with one of my colleagues about the possibility of setting the sap in longer front/rear aprons. Luckily, I was able to find two boards that were just fine as-is but, we came up with the idea of potentially taping together a mini-oven using foil-coated rigid foam insulation and placing a heat lamp inside. I haven't done the experimentation yet to see what kind of temperature I could achieve in such a rig and if I were to do it, I would most likely do it outdoors - just in case. I don't think ignition would be a possibility but I'm no engineer and wouldn't want to mess around! So: perhaps building a long oven sized to just fit the components you desire and placing a heat lamp or two inside might be in order? My two cents.
Best,
Ed
Posted: 8:36 am on October 17th
Interesting timing on this one. I just put up a post on my sawmilling and woodworking blog at wunderwoods.wordpress.com about sticky white pine. I cut as mush white pine as I can since I love everything about it, except the pitch. I have found that white pine will range dramatically in the amount of pitch. Some have a lot and some have very little. I put up my post because I was getting ready to work with some white pine that was only air-dried and expected everything to be sticky. That particular tree cooperated and it wasn't sticky, even air-dried. I have found that if a tree is sticky, it is still sticky inside after going through the kiln at 160 degrees, which is as high as I push my dehumidification kiln. The sticky ones just seem to have pockets of pitch. In your case, it looks like there was a million little pockets. There are also times when larger pockets will be the size of pencils and just ooze. I think it comes down to the luck of the draw on the pine and whether your tree/lumber will be too sticky to easily work. As you said, turpentine or mineral spirits works great to keep everything clean, including power sanders. I am glad that I am not the only one dealing with this sticky situation. Good tips!
Posted: 12:00 am on October 17th
Posted: 11:04 pm on October 15th
Posted: 11:03 pm on October 15th
Posted: 7:21 pm on October 15th
Posted: 11:35 am on October 15th
Posted: 10:00 am on October 15th
Posted: 8:25 am on October 15th
I enjoyed your article very much, I have a similar issue. I have about 1000 bdft of 250+ year old Long Leaf Pine from a local mill building. This building was built about 159 years ago and was recently renovated. I purchased large 9x16 and 16x16 beams, de-nailed them and had a local mill re-saw the boards into 1" thick slabs and turning stock. This lumber is rich in sap and actually has an amber glow to it. I am assuming that the beams were only air dried before being installed in the building. Since these boards are 8' long I can not practically place them in my oven (my wife was glad to here that). What would you recommend? I love the rich color these boars have and do not want to change that. Will kiln drying change the color of these boards has it does with other woods?
Posted: 8:13 am on October 15th
Posted: 2:29 pm on October 14th
Posted: 1:12 pm on October 14th
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