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Furniture Lab: Recycling Found Objects into Fine Furniturecomments (4) May 3rd, 2011 in blogs
Way back last winter, our editor, Asa Christiana, brought up a good point regarding how to keep furniture making "fresh." We've all built plenty of period pieces, Arts & Crafts tables, and Shaker cabinets, but what could we come up with that would really rock the furniture-building boat? Our former publisher-turned-editorial director Anatole Burkin quickly chimed in with some thoughts on the steampunk furniture movement and we all agreed that perhaps us snooty (some might say) furniture makers ought to attempt building some far-out pieces using found objects. The idea seemed intriguing but we weren't quite sure where to go for inspiration, when all of-a-sudden, in walked Fine Woodworking associate art director John Tetreault.
Now, I should explain that John has a reputation around here of always falling into fantastic found objects (often free or for VERY cheap). Let's see, there was the entire garage full of solid cherry that he bought for less money than most folks would pay for a used Ford Pinto, the piles of beautiful old barn wood he would cart into the shop after snooping around at his father's pseudo junkyard up in Massachusetts .... wait a tick (light bulb). John was our man.
Tetreault's father spent decades as an antique dealer, buying up big lots from estate sales, acquiring the pieces to any number of old barns, and basically collecting a whole ton of bric-a-brac. And John's family had the acres of salvaged items to prove it. So we hopped in the car, headed north, and picked out a few items with which to build our experimental furniture.
Enter the Lab
Furniture Lab Team
Over the course of the next few months, we'll chronicle Furniture Lab projects built by our team of four woodworkers. Plus, we'll be back with future projects from other members of our print and web editorial staff.
Asa Christiana is editor of Fine Woodworking. A winding path led him to the magazine in 2000. He attended a technical high school, where he learned the machinist trade and became interested in building things. After college Asa took a number of teaching jobs, first teaching math in the Peace Corps and then English back in the United States. Later, he worked as an editor at two newspapers and then worked his way up through the ranks at Fine Woodworking to his current role as top editor.
An avid woodworker and metalworker, Anatole Burkin joined the Fine Woodworking editorial staff in 1998. Over the past decade, he has worked side by side with leading woodworkers around the country to produce compelling articles. He has also interviewed some of the best known woodworkers, including James Krenov and former President Jimmy Carter. Over the years Burkin rose through the ranks to become FW's editor-in-chief, then publisher, and editorial director.
For a woodworker who's had the parts for up to three disassembled barns stacked on his property at any one time, it's no surprise that John Tetreault would tackle a project as quirky as this one. An avid collector, and user, of antique hand tools, Tetreault enjoys building with reclaimed lumber, wide boards, and oversized timbers. When not laying out the pages of Fine Woodworking as the magazine's associate art director, John enjoys painting, bronze sculpture, and raising his own chickens in a backyard coop.
Matt Kenney taught philosophy before he started working as an associate editor at Fine Woodworking. He built furniture as a hobby and made his first big project, a crib for his daughter, on a 2 ft. by 10 ft. apartment balcony. Then a professional furniture maker in Camden, S.C., let Kenney hang out in his shop and taught him almost everything he knows about the craft. Kenney has been at Fine Woodworking since 2008.
Michael Pekovich is Fine Woodworking’s art director. A long-time woodworker, Mike caught the hand tool bug when he came to the magazine 10 years ago. On weekends he’s apt to be rummaging for old tools to fill out his collection at flea markets and tag sales, and he wrote an article on tips for using hand tools in issue #178. His taste in furniture is typical of the magazine’s readers. Growing up in California, he was inspired by the writings and work of James Krenov and a visit to the Gamble house in Pasadena cemented his love for Arts and Crafts furniture. Upon relocating to Connecticut, Mike developed a passion for the simplicity and subtle proportions of Shaker furniture and for working with hardwoods native to New England.
Tom McKenna is a senior editor at Fine Woodworking magazine. He was introduced to woodworking when he enrolled in a basics class during his freshman year in high school on Long Island.
He moved to Connecticut in the early 90s, to become an editor at a home improvement magazine. He landed at Fine Woodworking in 1998, working behind the scenes as the magazine's senior copy editor, a job that allowed him to re-engage his woodworking hobby in earnest. In 2004, he came out from behind the curtain, taking a job as associate editor.
Raised in Madison, Connecticut, where he spent his high school and college years apprenticing as a timber-frame carpenter, Ed Pirnik traded in his tool belt for a notepad and camera upon college graduation. Arriving in New York City, he spent over eight years in the news industry as a photographer, writer and editor.
Never one for the big city, Ed returned to Connecticut in 2009 to become a Web Producer at Taunton Press, where he has been able to combine his interest in media with his love for woodworking. Today you can find him at work on the websites of both Fine Woodworking and Start Woodworking, where he appears opposite Asa Christiana in Season Three of Getting Started in Woodworking.
posted in: blogs, salvaged furniture, steampunk, recycled furniture
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About Furniture Lab
Inspired by the steampunk and recycled furniture movements, Furniture Lab allows the editors of Fine Woodworking magazine and FineWoodworking.com to really let their hair down.
Here, you'll find us cooking up all manner of design experiments. We aim to incorporate salvaged and recylced items into our furniture and will be veering way off the traditional path of Fine Woodworking.