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Instead of constructing a traditional ship-lapped back composed of multiple pieces of pine (in this case), I chose to mimic the look on a solid pine back. *Note: At this stage, the cabinet is undergoing its initial dry-fit.
I have a habit of collecting various oddities from every country I visit. As a result, I’ve accumulated a rather sizable collection of small glass jars full of a variety of interesting little items meant to remind me of my travels. Highlights include a collection of cast-iron fragments from a 17th century canon that still guards the entrance to Havana Harbor, and even sand from the very beach my father’s uncle landed on during the invasion of Normandy. This humble collection served as the inspiration for my most recent project: a glass-front cabinet made of cherry and pine meant to house these items.
I’ve already dovetailed the cherry case and decided upon a white pine cabinet back. And while I initially thought of doing a ship-lapped back, I’ve been a bit lazy lately and decided to set about faking it-at least to a certain extent.To reproduce a pseudo-ship-lap effect, I mounted a thin kerf blade in my tablesaw, angled it at 45-degrees and lowered the blade until it just barely protruded above the throat plate. Then it was just a matter of making a series of evenly-spaced non-through cuts that served to represent the separate pieces of a ship-lapped back.
I turned to the thin-kerf blade method after having been foiled at my attempt to mount a fantastically magical tool which I could never afford, in a SawStop tablesaw. The so-called Magic Molder is a 7-inch diameter cutterhead that holds a variety of custom heads.
I had planned on using a beading head but found that the 7-inch diameter made it unsuitable for use on a SawStop. Bummer, but then again, I most likely never would have used this thing had it not been for the fact that our trusty art director, Mike Pekovich had one laying around in a dusty cabinet. At about $150 for the head, and then well over $100 for each custom molding head, it’s a bit out of my price range. That said, I plan on keeping an eye on “Mike’s Magic Shop” for future furniture projects. Talk about a “cool tool!”
A close-up of the cabinet back, framed by its cherry sides, highlights the simple non-through rip cuts used to give the effect.
For this bit of "fakery," I mounted a thin kerf blade in my tablesaw, angled it to 45-degrees and lowered it so that just a slight bit of the carbide teeth protruded above the saw table.
My original plan had involved using this, a "Magic Molder." This 7-inch diameter cutter mounts to your tablesaw and accepts a wide variety fo cutterheads. Seen here is the bead cutter. Although it's a wonderful little toy, the Magic Molder can be a bit pricey!
Then it was just a matter of marking the panel for evenly spaced lines and making the cuts, re-setting the rip fence after each pass.
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I am about a 4 year woodworker, and have learned much from my subscription to FWW. This new book looks like it would be of help to anyone who works with wood.
Just keep on learning, that is the key and the fun to woodworking.
Forgot to mention that you can also 'lightly' skip-plane the rough-sawn T1-11 surface if you want it smooth. Its not a 1/40 veneer, thankfully.
You can pretty much do the same thing with rough-sawn T1-11 siding.
Comes 3/8 or 5/8. One surface is usually blemish-free D Fir, the back is crap - but it is in the back.
Meant to mimick 'board and batten' - but looks good on a cabinet back as well.
Plus its plywood so you can glue it in solid w/o worries on movement.
There is also an 'ungrooved' version used for soffits. Forget its nomenclature. That you can grove as you see fit.
The low-down on prefinishing parts, and the perfect finish for tools and drawer runners.
Fast, fun approach to making a comfortable, casual seat
In this video Michael finishes the first of the three boxes. Gluing-up, planing, sanding and finishing bring a new piece of art to the world.
In this video Michael starts work on the second box, a carved and painted Saddle lid box.
Michael begins carving the saddle lid box with his ripple pattern along the top. Then turns to his 5/30 gouge to texture the sides of the box. This isn't work…
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