A Hand-Rubbed Oil Finish
Proper surface preparation underlies its beauty
Synopsis: Tom Wisshack says oil finishes accentuate the grain, color, and figure of the wood rather than obscure it. An oil finish will never chip, peel, develop fisheye, or orange peel. Wisshack explains the work involved in preparing a surface for an oil finish and how to rejuvenate previously oil-finished pieces. Preparation is important because the finish will heighten any defects, so be sure to plane or scrape well before sanding with several grits of paper. He spells out the grits he uses and tips to make the work easier, as well as and how to use steel wool to repair old finishes. He ends with information on choosing and applying the oil and his own homemade linseed-oil mixture.
Thomas Sheraton, the 18th-century English furniture designer, recommended making a paste of linseed oil and ground brick dust and rubbing it into mahogany with a piece of cork. The result, enhanced by innumerable polishings with beeswax over the years, is the beautiful patina we see on many treasured antiques.
Oil finishes still have much to offer today’s craftsman. An oil finish will accentuate the grain, color and figure of the wood rather than obscure it, as many coats of a surface finish (such as varnish, shellac or lacquer) are prone to do. Additionally, an oil finish will never chip, peel, develop fisheye or orange peel. And dust contamination is not an issue with oil finishes, making them a good choice for the craftsman without a separate finishing space. If dust lands before the piece is dry, simply wiping it down with a soft, clean cloth takes care of the problem. Finally, and perhaps most importantly, because an oil finish penetrates and bonds with the wood, rather than forming a film atop the wood, renewing the finish is as simple as rubbing…